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Art and taxes (Paul Mattick) Essay

  • Submitted by: eddy385
  • on December 8, 2008
  • Category: Arts and Music
  • Length: 806 words

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Below is an essay on "Art and taxes (Paul Mattick)" from Anti Essays, your source for research papers, essays, and term paper examples.

Paul Mattick explains in this article the development of arts in the nineteenth century and the National Endowment for the Arts (NEA) role. Mattick begins his article referring to the NEA, “On June 25, 1998 the U.S. Supreme Court ruled against the so-called NEA Four... The high court’s decision was for all practical purposes the last act of a drama that had begun in 1989 with Congressional agitation against the NEA in response to complaints orchestrated by right-wing Christian outfits, notably Rev. Donald Wildmon’s American Family Association, against supposedly blasphemous and indecent artworks by Andres Serrano and Robert Mapplethorpe which had been exhibited in NEA-supported institutions.” (Mattick, 521) “How has this happened, and what does it tell us about the place of arts in society at the present time?” (Mattick, 521) With this question Mattick begins to analyze the nineteenth century of arts. Mattick enforced the relation of art with economic and politics, essential to the survival of art. “The producer and the consumer of art need to be brought together for the fine arts to exist as a social reality... In the United States, the institutionalization of art was largely the work of private citizens... Characteristically, it was not until 1939 that the United States acquired a national gallery, and even this came to begin with as a massive gift from a private individual” (Mattick, 522) Mattick explains that the concern about arts was made by some citizens and not by the government, that seems to be worried more about politics than culture. “While earlier in this century the promotion of modern art served to differentiate certain scions of wealthy families from their conservative elders... specifically celebrated the political and economic triumph of the United States after World War II. Art came to be seen not so much as an incarnation of values higher than those of the marketplace but as a distillation of those characteristics that make an individual,...

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