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Internal errors in the mechanism/episthemology of "Gesamtkunstwerk" Essay

  • Submitted by: iilveyeid
  • on February 10, 2009
  • Category: Arts and Music
  • Length: 476 words

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Below is an essay on "Internal errors in the mechanism/episthemology of "Gesamtkunstwerk"" from Anti Essays, your source for research papers, essays, and term paper examples.

The quest for individuation is a key not only for explaining the fundamental mechanism of   romantic music work, but also for discovering its essential contradiction. Ressurected for the composers' aesthetical counsciousness as a creative and gnostic force, revitalized by the inner life of the subject (a dimension elevated by Kant's system), The Individualily,   impersonated by the paradigm of Genius, may bring upon humanity the revelation of the World by simply expressing himself. Hence a new aesthetics model for mimesis, a mark of Romanticism, aswell as the aesthetical authority of expressiveness transcending the canons of classicism (M.Abrahms, "The Mirror and the Lamp"). The "action moment" of principium individuationis, a element of apollinian that helps create an existential limit for the furies of dionysian, is, in this way, surpressed. The new artistical dominant is Sensus, liberated of Ratio. This paroxist attitude creates a contradiction between the aspirations of   the romantic work and its own "episthemology".
The extrovertion of romantic work's aspirations of surpassing classical cannons(could it be a nostalgia of the dionysiac?) determines the imperative of transcending limits between genre, forms, styles...expansity not only in time (for recovering the medieval desiderate), but also in space (the fascination for pitoresque, colour, spontaneity of expression). A very clear example of this tendency could be provided by Neue Deutsche Schule's concept of "Gesamtkunstwerk" ( its extraordinary artistical manifestation being Wagner's "musical drama", as he reffered to it, not "opera"). Interestingly, Nietzsche nominates Wagner's work as the perfect solution for merging the apollinian and the dionysian.
As a result of objectivation by scrutinizing the inner world of the Genius creator, the romantic work is desired to be a perfect entity, a leibnizian monad ("le meilleur des mondes possibles"), of absolute organicity. However, it wouldn't be capable of...

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  • Submitted by: iilveyeid
  • on February 10, 2009
  • Category: Arts and Music
  • Length: 476 words
  • Views: 323
  • Popularity Rank: 540760
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Internal errors in the mechanism/episthemology of "Gesamtkunstwerk". Anti Essays. Retrieved December 12, 2018, from the World Wide Web: http://cassandralynndesignllc.com/free-essays/Internal-Errors-In-The-Mechanism-Episthemology-Of-240544.html